Friday, August 31, 2012

Swing & The Big Bands: Duke Ellington to Count Basie

Topics we will discuss and learn:
  • Swing as a noun
  • Important bands
  • Important soloists
Swing as a noun
            Swing as a verb is the actual feeling of lift on beats 2 and 4 of a 4/4 meter.
            Swing as a noun is the music during an era of jazz history between the
1930’s and 1940’s
            WWI had ended
Music during the “Great Depression”
America’s popular music during that time
            More arrangements than ragtime and Dixieland music
            More solos than collective improvisations
            Less use of tuba and more use of string bass
            Hihat cymbals to make the swing feel
            Guitar was used instead of the banjo
            Larger instrumentation
            Saxophone became a dominant instrument

Important Bands

            Fletcher Henderson
                        Some of the main swing era musicians came from his band
                                    Coleman Hawkins
                                    Count Basie
            Jimmie Lunceford
                        Polished band that gave elaborate stage shows
            Duke Ellington
                        Called “The Greatest American Composer” 
                        Voiced chords across sections creating colorful tones
                        Concert-like arrangements
                        First major gig was at the Cotton Club where he played what was
called “jungle music”
            Count Basie
                        The “Swingingest Band”
                        Returned swing to its roots, the blues, from the commercial pop
Sound
                        Kansas City sound
                        Had great soloists
            Benny Goodman
                        Called the “King of Swing”
                        First to integrate his band with Teddy Wilson on piano and Lionel
Hampton on vibraphone
            Chick Webb
                        One of the swingingest bands
                        Played a showdown with Benny Goodman and won
                        Featured Ella Fitzgerald
                        Ella took over the band after Chick died of spinal condition
            Glenn Miller
                        “Republican” band, very straight laced
                        Commercial and pop oriented
            Tommy Dorsey
                        Vocal trombone style
                        Featured an unknown Frank Sinatra

Important soloists

            Art Tatum
                        Amazing technique even without considering he was blind
                        Unmatched speed and delivery
Nat King Cole
            Fast, swinging touch and a first rate vocalist
            Became popular with his television show
            Set the standard with the piano jazz trio
Teddy Wilson
            Smooth, light touch on the piano and could play fast
            Backed Benny Goodman and the first to integrate into a white band
            Coleman Hawkins
                        Played arpeggiated lines that followed the chords
                        The dominant tenor saxophone player until Lester came along
                        Played with Count Basie
            Lester Young
                        Known as the “Prez” (president of the tenor saxophone)
                        Light, airy tone
                        Played with Count Basie
            Roy Eldridge
                        Long solo trumpet lines
            Billie Holiday  
                        Known as “Lady Day” name given to her by Lester Young
                        Sang with Duke and Count
                        Sang about her hard life
                        Very personal voice
            Mary Lou Williams
                        Formidable pianist
                        Wrote arrangements and songs for many of the great bands
Terms and topics to know:
Riffs
Improvisation
Arrangement
16-piece orchestra
woodwind section
brass section
rhythm section

Ragtime and Dixieland: Scott Joplin and Louis Armstrong

Topics we will discuss and learn:
  • Ragtime was the precursor to early jazz
  • Early jazz piano styles
  • Early jazz bands
  • Louis Armstrong
Ragtime was the precursor to early jazz
            New Orleans was ideal for jazz between late 1800’s and early 1900’s
because it was a port city at the mouth of the Mississippi where trade with Europe and the Caribbean flourished.
            Black Codes relegated the upper class Creoles to the same status as the
lower class Blacks.
A mixing of musical traditions occurred where the formally trained
Creoles and the bluesy Blacks shared musical styles creating much of the early jazz styles.
            Storyville was the main area for early jazz in New Orleans.
It was the prostitution district where musicians could get many gigs
            Brass bands were immensely popular as were the “rags” in piano music
Ensembles began to play the ragtime music because people wanted to
dance.
            Ragtime was mainly a piano music that was written out on sheet music
and put on player rolls for the “player pianos”
            Notables
Scott Joplin – most famous composer of “rags”
            “The Entertainer”
            “Maple Leaf Rag”

Early jazz piano styles

            Stride Piano
Mimics “Om Pah” sound of tuba in the marching band in the left
hand
                        Mimics horn lines of trumpet and clarinet in right hand
            Boogie Woogie
                        Left hand alternating in a rumble style
            Notables
Jelly Roll Morton – One of the first to swing (“Maple Leaf Rag” recording vis a vis Scott Joplin)
                                    His band was the Red Hot Peppers
                                    Played like he was a band
Blended composition with improvisation setting the stage for
swing big bands
                                    “King Porter Stomp”
Earl “Fatha” Hines – played flowery horn lines in his right hand like
it was a trumpet
                        Fats Waller
                                    “Ain’t Misbehavin”
                                    “Honeysuckle Rose”
                        James P. Johnson “father of stride piano”
Albert Ammons – boogie woogie style
Meade Lux Lewis – boogie woogie style

Early jazz bands

Instrumentation – trumpet, clarinet, trombone, tuba, drums, saxophone (on
occasion)
            Chicago was the center for much of the early jazz music
                        The “great migration” of blacks from the rural south to the urban
centers of New York and Chicago after the end of slavery and reconstruction created a fertile environment for the southern music to grow with a northern sensibility.
Joe King Oliver’s Creole Jazz Band
                        Most of the best black musicians from New Orleans
            Original Dixieland Jass Band first to record in 1917 in Chicago
            Collective Improvisation
                        Trumpet plays melody
                        Clarinet plays busy figures behind trumpet
                        Trombone plays “tailgate” or sparse rhythmic and harmonic figures
                        Tuba plays “om pah” bass notes
                        Rhythm section keeps time
            Stop Time
                        Break in the music where soloist plays
            Notables
                        Buddy Bolden - trumpet
Sidney Bechet – soprano saxophone and clarinet
                        Joe King Oliver - trumpet
                        Louis Armstrong - trumpet
                        Nick La Rocca - cornet
                        Bix Beiderbecke - trumpet

Louis Armstrong   

            Usually called the “father of jazz”
            Large tone and wider range than most trumpet players
            One of the first to bring soloing in a combo to the forefront
            A formidable singer and the originator of “scat singing”
Terms to know:
Stride piano
Ragtime
Collective improvisation
Stop time

You Tube:

Meade Lux Lewis

Albert Ammons & Pete Johnson

Fats Waller

Wednesday, August 29, 2012

Origins of Jazz: Work Songs and Blues


Topics we will discuss and learn:
  • The African experience in American creates the foundation elements of the blues, spirituals and jazz
  • Blues History
The African experience in American creates the foundation elements of the blues, spirituals and jazz
African music is polyrhythmic and creates a syncopation of the beat that was not felt before in western music.  This way of feeling the beat created the “swing” in jazz music.
            Most of the Africans that were taken into slavery were from several ethnic groups, Yoruba, Dahomey, Fon, Ga, Akan.
Music in these societies is used for worship, work, ceremony, and healing.
Instruments are believed to possess souls and must be prayed to.
There are many different kinds of instruments used in music making in these cultures
            Kora – stringed instrument
            Drums – many different kinds of drums
            Mbira – thumb piano 
The notes that the Africans sang were based on their tonal scales from whichever region they inhabited in Africa.  The blue notes are an amalgamation of these tones juxtaposed to western music.

The call and response form or antiphonal singing that makes up much of various African music forms became the basis for blues, spirituals, and jazz song forms.
Work songs, field hollers and chain gang songs were directly related to call and response forms in various African musics.

Blues

  • The term “blues” started to be used back in the late 18th century and early 19th century to describe a feeling of being low in spirits. 
  • The term was also used to describe the music that could range from slow in tempo or fast.
  • Ragtime music grew up alongside the blues and was used interchangeably in music titles such as W.C. Handy’s “Yellow Dog Rag” and “Yellow Dog Blues” (1914).
Types of Blues
            City Blues
Characterized by larger instrumentation i.e. horns, rhythm section (piano, bass, drums), maybe strings
            Country Blues
Characterized by less instrumentation usually vocalist, guitar accompaniment (piano was not used frequently), and maybe a harmonica
            Postwar Blues
Characterized by electric guitar, piano, harmonica and vocalist
            Geographic centers of the Blues
                        Mississippi
                        Texas
                        Memphis Tennessee
                        Kansas City
                        Chicago
                        New York
            Notable Blues singers
                        Ma Rainey
                        Bessie Smith
                        Blind Lemon Jefferson
                        Robert Johnson
                        Jimmy Rushing
Louis Jordan
                        Muddy Waters
                        B.B. King
            Race and gender
                        Most of the early classic blues singers were women
Various reasons for this but the foremost reason was the reluctance on the part of record executives to create an idolized artist out of a black male.
Race records were commercial records aimed strictly at the black market.
Mamie Smith’s recording “Crazy Blues” 1920 ushered in the race records.  This recording sold 8,000 copies a week for several months.
                        Most of the country blues singers were men. 
These were the travelers and nomads that rode the trains and played guitar or harmonica.
Terms to know:
Call and response
Work Songs
polyrhythm

Bessie Smith - St. Louis Blues
http://www.youtube.com/watch?v=jNWs0LsimFs

Robert Johnson - Crossroads
http://www.youtube.com/watch?v=Yd60nI4sa9A&feature=related

Muddy Waters - Hoochie Coochie Man
http://www.youtube.com/watch?v=HgAcDLZr6Gs

Jimmy Rushing with Count Basie - Take Me Back Baby
http://www.youtube.com/watch?v=5qCUgik-al0